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Autohoodening II: The Rise of Captain Swing
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Infinite Opera is devoted to creating new operatic works which inspire audiences to learn more about opera, science, philosophy and the world around us.

Infinite Opera’s Upcoming Performances

On 10th December 2021 we will be premiering our latest project – Autohoodening: The Rise of Captain Swing – a film for the age of AI capitalism. To book a ticket for the screening at Vivid Projects Birmingham click here.

A folk opera, based on worker testimonies and interviews with union organisers, written and produced collectively by Post Workers Theatre and Infinite Opera, with costumes from James Frost and Lottie Wood.

Captain Swing, the fictional face of worker dissent in the great English agricultural uprising of 1830, is resurrected to confront the horrors of working as a seasonal associate in an Amazon fulfilment centre. Will Swing help the workers to overcome Alexis the evil scanner, a symbol of Amazon’s regime of technological discipline?


We are also developing a new work on TRAPPIST-1 which shall be premiered in University of Birmingham as part of the Commonwealth Games. More information to follow on this soon.

Infinite Opera blog posts below!

  • Besse: Water, Rye and Hops – programme
    Halloween special production for Dig Brew Co on 01/11/2019. Music by Daniel Blanco AlbertLibretto by Roxanne KordaDesign by Infinite Opera, Oliver Webb and Karina Cabanikova  Cast Director: Infinite Opera Besse: Roxanne Korda Camille: Jared ice Old woman: Olivia Thornber Inquisitor: Hannah McDonald Plague death 1/Cat/Tree: Dalma Sinka Plague death 2: Sara De Visser Visions: Oliver Farrow & Hannah McDonald Angriest witch hunter: Ivonne Porras Angry customer: Tina Fung,…
  • In response to Naum Gabo
    A reflection – We were asked by the Barber Instiute to create an artistic and musical response to the piece Linear Construction 1 (Naum Gabo) for one of the Nocturnes.  During the research of Naum Gabo I soon found his Realist Manifesto, created in collaboration with his brother (Pevsner). This lays out a constructivist approach…


” The show very effectively represents the paradoxes and haphazardness of nature, with the music beautifully composed to create an ethereal atmosphere”

Anna Marshall, about Entanglement! An Entropic Tales full version performance at Djanogly Theatre, Nottingham Lakeside Arts

“It is a terrific opera”

Edwin Roxburgh, about Infinite Opera’s Entanglement! An Entropic Tale

“I soon decided I definitely like electrons a lot more when they can sing”

Operissima, about Entanglement! An Entropic Tale‘s short version performance at RADA Studios

“The composer [Daniel Blanco] can certainly write music and create meaningful, even dramatically meaningful, musical process”

Mark Berry, about Entanglement! An Entropic Tale‘s short version performance at RADA Studios